The Tumblr Circus

[…] In 1931 Henri Friedlaender was the foreman of the typesetting division of the Offizin Haag-Drugulin, an eminent Leipzig publisher that specialized in the printing of books in semitic languages. That year the Schocken Publishing Company placed a request for a twentieth-century, modern Hebrew typeface; it was a query that would captivate Friedlaender for the rest of his life. At the time, he was still a young man of twenty-seven, but another twenty-seven years would pass before his work would come to fruition with the creation of the Hebrew Hadassah typeface. […]

la storia, avvincente come un romanzo, del primo carattere da stampa ebraico moderno, creato da zero, smontando e rimontando la tradizione, unendo la praticità tipografica dei princìpi Didot-Bodoni alla sensibilità del calligrafo, tra tenacia profetica e fiato dei nazisti sul collo, con molte riflessioni utili a chi lavora nella comunicazione

The Hadassah Type


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